Showing posts with label stephen king. Show all posts
Showing posts with label stephen king. Show all posts

Monday, 26 August 2013

For The Love Of Stephen King

It isn't cool to like Stephen King. Even he has a bit of sense of humour about his reputation, saying in the foreword to Bag of Bones:

"I am the literary equivalent of a Big Mac and Fries"
But I have always loved his work. When I say always, I'm talking about from my very early teens. I started reading "grown-up" books when I was about 9 or 10. I remember devouring Jurassic Park in the weeks before its release. I must have been no older than 12 when I read my first Stephen King.

I always want to say that the first Stephen King book I read was "It" but I know that is just my traitorous mind desperate to create a narrative with "It" (my favourite book) at the centre. If truth be told it was probably Salem's Lot or Pet Sematary that I read first (the thought of either always brings to mind the smell of a musty old book, mainly because I mainly read second-hand, quite unloved books when I was a kid).

As neither of those books are in my very own "Best of Stephen King" countdown I'm not sure what made me continue to read his stuff. Perhaps it was just a childish glee at reading "forbidden" books that kept me going.

When I was about 14 I had a few days off school with the flu. With Alanis on in the background I devoured "The Tommyknockers" and I think that was when I fell in love with King. My other half has said in the past that he can't read King because King can spend 12 pages just describing a chair in a room, with a detailed history of everyone who has ever sat on it. This is, of course, somewhat of an exaggeration but the truth is that King does give life to characters, buildings and objects that might not seem all that important. He makes them real. He gives them a history.

In "It", for example, Dorsey and Eddie Corcoran's lives (character's who really only needed to die) are fleshed out to point where you feel like you understand Eddie and feel genuine sadness when he is murdered.

Of all the authors I've read (and I did get over my obsession eventually and read authors other than King, starting slowly with Dean R. Koontz and then heading out in ever increasing circles until I found myself miles away from the safety of the horror section in Waterstone's) King seems to "get" the "inner voice" of his characters. Their motives, their obsessions, their quirks and their inner darkness (and inner light) are spot on for how I see people act out here in the real world. His exploration of the things people do but never talk about (sexual exploration, spiteful little acts of revenge or hate etc) ring so true. His grasp of human nature is second to none.

His heroes are always flawed. And sometimes things get complicated. The way the people of Haven react to Ruth Merrill's inability to fully convert into a Tommyknocker and her reaction in turn to them is heartbreaking. She sacrifices herself to warn the world of the horror that awaits, but it is so much more complex than that.

His writing is better when it is constrained, I'll admit. His short stories (for instance the recent excellent e-book Mile 81) are sometimes so good that I actually start to ache as I near the end.

But what I really love, and identify with, in his books is the yearning for things that are gone. He truly captures both the pain of having a loved one die and the longing for a past that can never be relived. This sense of yearning that prevades many of his books is what really dovetails with my own feelings (given I live half in the past).

Stephen King's work might be considered populist guff worthy only of the proles. But Hell, I'm happy to be a prole if I get to spend some time with the sort of people who populate the works of King. Good but flawed people, with histories and prejudices. Dolores Claiborne, Jake Epping and Ben Hanscom are the sort of people I wouldn't have minded having a drink with.

Tuesday, 1 January 2013

11.22.63 - Stephen King Still Has It!

I've just finished reading Stephen King's 11.22.63. It is the story of a man who is shown a way to travel into the past and, on the way to stopping the assassination of President John F. Kennedy, begins to discover time  doesn't want to be changed.



I'm a huge Stephen King fan. This does mean I'm more able to put up with the "extra padding" he tends to put in his books. It exists here, I won't deny it, and there is a great deal that could've been left out. But then again that is a bit like being unhappy that someone would do a painting when they could just do a line drawing. 

The story is good, the pacing is up there with the better Stephen King novels, and you do start to care about the mission. Will he stop the assassination? What will happen if he does? Those questions are answered and the ending of the book is far more satisfying that you'd think given we know JFK really was assassinated.

The usual King touches are there. He has brief snippets of what I'd call "Kingese" (Jimla!). We have references to his other works, with an extended stay for Jake Epping (the main character) in Derry where he interacts with characters from IT not long after the 50s segment of that book. I'm a huge IT fan and I was so pleased to read Bev and Richie once again! And yes, the protagonist is an English teacher...  

This is certainly one of his better books, coming somewhere just below IT and The Stand on my personal favourites list. Check it out!

Stephen King's 11.22.63 - Amazon.com, Amazon.co.uk

Sunday, 24 January 2010

Stephen King's Under The Dome

So... this week I have been mainly reading Under The Dome by Stephen King. Full disclosure: I am an unreformed Stephen King fan. So take my review with a pinch of salt!

This book is no quick read. It's over 800 pages long. Now some reviewers have moaned about this as if length is an indication of quality. Well it's not. You can't moan about the length of a book unless it's bad. And this is certainly not a bad book.

I'm going to put Under The Dome up there with It and The Stand, as an example of Stephen King at is best. Now, although I think what I'm about to say might be sacrilegious, I believe this book is better paced than either of those two with much tighter, neater writing and a clearer story. I don't want to diminish the other two books, whose charms are obvious, but Under The Dome involves far less "Oh get to the point" and more "What the hell is coming next???"

The characters are Stephen King archetypes... strong women, trailer trash, truly evil bastards who don't even know they are evil, and the ever present strong but loving good guy. Again there has been some complaints about that from a few reviewers but I have to say I find it... cosy. As a seasoned Stephen King reader I feel like I'm settling in with welcoming relatives of well loved friends.

The story is compelling (putting me in mind a little of a post-September 11th The Tommyknockers) and keeps you  reading in order to see where it goes next. Even though that tends not to be a happy place, the book isn't totally grim with enough hope and humour to keep you going.

Pick it up, this is one of his classics.

Saturday, 23 January 2010

Walking Dead TV Series Greenlit!

There's no way of pretending otherwise: I'm a comic book geek. Sure, due to monetary constraints, I'm a repressed comic book geek but nevertheless I still get to read some awesome books from time to time. One of those is Walking Dead. 



A zombie apocalypse story may have been done time and again across all forms of media but it works particularly well in Image's Walking Dead comic series and thus I was excited to hear that finally a Walking Dead was getting a pilot. Not only that but it is partly the brainchild of Frank Darabont, director of such wonderful Stephen King adaptations (did I not mention I'm also a Stephen King geek!) as The Mist and Shawshank Redemption.

Am I eager to see this? You bet your cotton socks I am!!! *jumps up and down with childlike glee*